/home/zileonetoo/galeriep/themes/webvitrine-gp/pages/portfolio/details.htm 0.050788879394531 Sec
/home/zileonetoo/galeriep/themes/webvitrine-gp/layouts/layout.htm 0.051239967346191 Sec
EVELYNE AXELL "La Prisonnière" 1968, Pop'Art Oil on Clartex Aluminum / Canvas - Pignolet Gallery

EVELYNE AXELL "La Prisonnière" 1968, Pop'Art Oil on Clartex Aluminum / Canvas


After remaining in the shadow of the 'greats' of Pop Art, Evelyne Axell has been reborn thanks to the hard work of gallery owners and, above all, her son Philippe. 

The Namur-born artist is now in the spotlight, and it's about time!

Unfortunately, the work shown here has already been sold...

  • Creator / Artist / Designer:Evelyne Axell (1935-1972)
  • Signature / Monogram:Signed "Axell" lower right
  • Period:20th Century / Mid Century / 1968 
  • Dimensions (H x W x D):65 x 46 x 3 cm
  • Style:Pop'Art
  • Materials:Oil on Clartex / Aluminium / Canvas

Painting / Pop'Art Table on Clartex, Aluminum Sheet stretched on a canvas on stretcher.
Signed "Axel" for Evelyne Axell. Titled and re-signed on the back "La Prisonnière". Date and stamps on the back (1968).
Work exhibited in 1969 in Ghent at the "Galerie Foncke", in 2019 at the "Maison de la Culture de Namur".

Biography:
Forgotten for many years, Evelyne Axell, pupil of René Magritte, is now considered the queen of Pop'Art and relocated in many museums to her counterparts Andy Warhol, Roy Lichtenstein, Jim Dine, Marisol, Martial Raysse, Richard Hamilton , ...
Axell is one of the few female artists representing pop art in Europe.
Born in Belgium in 1935 into a middle-class family, she took courses in ceramics at the École des Beaux-Arts in Namur in 1953. She then entered the Conservatory of Dramatic Art in Brussels, where she became an actress and television presenter.
In 1963, she devoted herself entirely to painting with the advice and support of her. professor René Magritte. Influenced in the 1960s by New York artists, she turned to pop art, which she discovered in London. She experiments with new plastic materials including Clartex that she cuts, playing with reliefs and transparencies.
Her remarkable work focuses on the theme of the sexual liberation of women.
She died at the age of 37 in a car accident in 1972, only 9 years of rich artistic production ....